The The art declaration as formative experience in Gadamer

Abstract

In its purpose of rethink the relation between truth and method, the  philosophical hermeneutics recovers the philosophical problem of the comprehension, privileging as main reference the truth experience of art as an ontological occurrence, which singularity enlarges the knowledge building about the human reality and drives a critic to the methodological model of the scientific modern rationality. The aim of this work is to analyze the character of ontological opening of the art as a truth experience and human formation, considering the nature of its declarative language and the way of being of its own unhide (aletheia). As an expression of finitude, how the art declaration, in its come-to-talk, is determinant for a formation hermeneutics? It is shown the explicit of the art’s updating declaration in its ontological truth character as an experience of game, symbol and party. It is highlighted the hermeneutical relation between the art and formation emphasizing the hermeneutical experience of art in its horizon of opening, dialogical iteration and growing of meaning questions about the human existential reality.